Fujichrome Trebi 100c

I don’t know what to make of this film, it doesn’t seem like any of the other film though I have read reviews saying it’s like sensia 2 (I never tried that so I can’t comment  on it). The colors so far are soft and not very strong, while the contrast is is above average. Sharpness is very good while grain is really fine! I’m not kidding when I say they are fine! But what I like about is that it’s slide and I always prefer slide over negative film any day!

Here are some of the shots I’ve been meaning to upload for a while now. Continue reading

Ilford HP5 plus 400 some of Pudu prison

Here is my next installment for HP5 I recently had developed. I only get all my film developed after a while. Due to the hassle of bringing them to the shop and then picking them up follow by scanning and editing. How many of you do your own b&w film development at home?

I know I can probably do the same thing and it’s not hard but since I’m staying with family for now still I can find a better place, I’ve decided to hold off doing my own development till then.

Though what I really want to do is have my own dark room and hand print my own photos but it’s still too cost prohibitive for me. I could just get a printer but I’ve always wanted to do it the old fashion way since it seems a lot more fun and you appreciate the artwork you produced as well as the work of other people who similar hand printed their own photos.

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Fujifilm Superia x-tra revisited

When I last used this film, I swore I would never used negative ever again until I came across Kodak Ektar 100. Which forced me to reevaluate whether or not color negative provide a cheaper and effective film solution aside from the more expensive and difficult to find slide film, I decided to look back again at the many roll I had cursed into the box of despair and see if all of the shots were shit. Most of the shots were actually good but the color and sharpness were completely shit, and I know it was not the gear or skill because at that very same shoot, I used slide and they turned out quite well. Hence my reluctance to use color negative ever since.

So I decided to rescan the same roll of film carefully this time and maximise all the details I could obtained from the film and some unsharp masking, see if I could wring out any usable shots at all. Sadly I could only wring out 2 “passable” shots. Though whether or not this will change my opinion about using Superia ever  the jury is still out on that one. But at least I know my scanning skill has improved if I could wring out something this time when compared to my previous efforts.

Some of you may remember this is from my Leng Yein shoot so pardon me if this bores you.

Though I have admit, the colors are much nicer this time around.
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Fujifilm Neopan (Presto) 400

I started shooting b&w with this film since I bought a batch from my first trip to Japan back in 2007. In Japan, it’s called Neopan Presto 400 while it’s just Neopan 400 every where else. I don’t think it’s a different film as there doesn’t seem to be any difference at all.  Anyway here are some of the latest shots using it.

Some of the shots I’ve posted previously as part of a composite photo so here are the non-composite version.

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Kodak Ektar 100

First up, I finally had the opportunity to get some of this film which many have claimed to be the color negative answer to Fujifilm’s Slide velvia. So far though I not sure if this assertion is true or not as my test of this film have yet to yield nothing coming close to slide level though I’m not saying it’s rubbish at least until I can do some more test with this film. Though I will say one thing, the grain on this film is really good so far and the colors are actually very pleasing and avoids the one main problem I faced when using velvia and that is it’s use under artificial light. Ektar performance is much better so far from what I’ve seen.
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